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合唱指揮者は、メロディーの中で、音が段階的に上昇したり(順次進行)、反対方向に動いたり(反進行)、飛び跳ねたり(跳躍進行)する様子を示しながら、メロディーにおけるさまざまな種類の動きを実演しました。




